Tag Archives: Cambridge Day

Logan Lucky

22 Aug

It’s only been four years, but feels much longer, since director Steven Soderbergh last treated filmgoing audiences to one of his quirky, deconstructive gems. Granted, “Side Effects” (2013) was something of a disappointment, but the director’s HBO biopic of flamboyant performer Liberace that same year generated plenty of heat, as did his previous feature, “Magic Mike” (2012). Soderbergh, an against-the-grain filmmaker, has always been one to toss the dice, be it his casting of a martial arts expert or a porn star in character-driven lead roles (“Haywire” and “The Girlfriend Experience”) or being one of the first to deliver a film simultaneously into theaters and on-demand (“Bubble” in 2005). For his latest, the American auteur taps into the skin of some of his more commercial fare – “Ocean’s Eleven” and “Out of Sight” – while farming fresh territory.

So it’s no surprise “Logan Lucky” is a heist caper – though not nearly as hip as the “Ocean” films. It’s set at a massive Nascar speedway in North Carolina, with the bulk of its protagonists down-on-their-luck West Virginians. Glitz and glamour are scarce, but arrive in the form of Riley Keough (so wickedly good in “American Honey” and adding to her stock here) as one of the Logan clan in on a plot to drain the speedway’s vault, and Katie Holmes as the ex-wife who’s traded up in social class and occupies a sprawling McMansion. At the center looms lovable Jimmy Logan (Channing Tatum, who’s been in several of Soderbergh’s more recent projects, including the Mike in “Magic Mike”) a golden-armed QB who never made good his promise to play at the collegiate or professional level because of a bum knee; as a result he toils as a second-string laborer, and a prideful one at that, refusing financial help from the ex who’s constantly offering to buy him a cellphone so they can better coordinate handoffs of their beauty pageant-obsessed daughter. Continue reading

Staying local to protest the Free Speech rally

22 Aug
James Selvitella and Declan Haley run a peace-themed lemonade stand Saturday in front of the Cambridge Main Library. (Photos: Haley family)

As up to 40,000 Bay Staters made ready to descend Saturday on the Boston Common to protest a “Free Speech Rally” linked to white supremacists, many parents – fearful of the same type of fatal violence that broke out at a Charlottesville, Va., white supremacy march the previous weekend – struggled with whether to bring their children. Even though the organizers of the rally insisted they were not affiliated with Charlottesville rally organizers, the slate boasted some of the same speakers with ties to hate groups, and the City of Boston and Boston Police Department were on high alert.

Children make art at the lemonade stand Saturday – an alternative to marching in potential danger in Boston.

For one Cambridge family that wanted to spread the word of peace and inclusion – and be part of the movement without risking getting caught in the fray – the reasonable option took the form of a lemonade stand outside the Cambridge Main Library, with the proceeds going to Black Lives Matter Cambridge and the recently vandalized New England Holocaust Memorial.

Elizabeth Haley, a resident of Inman Square, didn’t feel comfortable taking her 8-year-old son to the rally, and sought other ways to engage the community and support the movement. “It was my son, Declan, who came up with the idea,” Haley said. The stand, prominent on Broadway with the banner “Lemonade for Peace,” wasn’t your typical impromptu corner stand; the Haleys had come wth a large folding table, colorful signs and art supplies to engage thirsty passers-by.

The art angle was the brainchild of Haley’s friend, Julie Selvitella, a Cambridge resident who teaches art in Andover, and her son James, who felt a communal art project would enrich the effort and bring unity. People getting drinks or just stopping by could write a message of acceptance and hope on a heart, with those hearts then hung on pinwheel structures hanging from the great willow tree sheltering the stand.

Hearts with messages left by lemonade buyers became decorations for the kids’ stand.

“The day worked out so well because it was so last-minute and we didn’t complicate things by overthinking it,” Haley said. “We met a lot of people who were on their way to the rally. Also,. there were many families with small children who felt the same way we did, so they were happy to make a donation and work on the art installation.”

The stand raised a few hundred dollars in just three hours, Haley said.

Wind River

14 Aug

Taylor Sheridan, the screenwriter behind “Sicario” who garnered an Oscar nod for “Hell or High Water” last year, gets back in the director’s seat (he helmed a “Saw”-esque flick in 2011 called “Vile” that you might have missed) for “Wind River,” a crime thriller set high in the Wyoming wild. Much like “High Water,” the landscape and desolate character of the setting becomes a central player in the action – and there’s oil to be had as well.

Jeremy Renner stars as Fish and Wildlife officer Cory Lambert, who gets enlisted by FBI agent Jane Banner (Elizabeth Olsen) to help solve the murder of a young Native American woman (Kelsey Asbille) on an Indian reservation. They’re assisted by the local sheriff (Graham Greene), who has ties to the native community. From Florida and unfamiliar with Native American traditions, Banner couldn’t be more of a fish out of water, and she’s also got that wet-behind-the-ears, can-do gene that made Clarice Starling so indelible in “The Silence of the Lambs.”

What drives “Wind River” isn’t so much the present action but the heavy backstories the characters carry, which burn with real, raw emotional palpability. Lambert, married to a Native American, lost a daughter due to negligence – he’s haunted by not knowing the full details – and saw his marriage dissolve because of it. The weight of that resonates in the tired creases of Renner’s face and becomes Lambert’s unenviable yet natural bond with the victim’s father (Gil Birmingham, whose rendering of parental despair is heartbreaking). Then there’s the plight of the native population ground down by alcoholism, drug addiction and broken dreams, an ensnaring downward cycle on sharp display.

Bodies pile up, and the narrative cuts back on itself smartly and seamlessly as Lambert and Banner get closer to the truth. The scenes of rape and murder are brutally graphic, yet serve to illustrate the depths of disregard when humans get blinded by rage, desire and pack mentality. The issue of racism gets explored as well as in the deep, snow-covered heart of the reservation and oil-drilling site, which is guarded by imported security forces; as the screw turns, the sense of law and order there become a wispy notion. “Wind River,” like “Hell or High Water,” ultimately becomes a Western in construct, with Renner’s reluctant Lambert something of a “Shane”-like last barrier. The combination of character, setting and weave makes well-known tropes fresh and new.

War for the Planet of the Apes

14 Jul

Since the CGI resurrection of the “Planet of the Apes” franchise (can we all agree to forget the ill-conceived 2001 Mark Wahlberg-Tim Burton version?), the films – “Rise” (2011) and “Dawn” (2014) – have been working their way slowly up to the events that frame the classic 1968 film penned by “Twilight Zone” host Rod Serling and starring Charleston Heston. With “War for the Planet of the Apes” we get more breadcrumbs leading from here to there.

The plot picks up two years after “Dawn” ended with Caesar (Andy Serkis, the action-capture actor who so viscerally brought Gollum to life in “The Lord of the Rings” films) and fellow simians holed up in the woods trying to find a peaceful foothold as man employs military might to hunt down and eradicate them. We learn too that the simian flu that has decimated humankind makes apes smarter while it mutes humans and dims their mental capacity. (There’s your first breadcrumb).

The script by director Matt Reeves (“Let Me In” and “Dawn of the Planet of the Apes”) and Mark Bomback, who worked with Reeves on “Dawn,” adds some smart wrinkles with the apes trying to disengage from war, setting off to find an ape Eden out of human reach, while Caesar, having incurred deep personal loss, ventures off on a revenge mission. To stir the pot we get Woody Harrelson as a Col. Kurtz type – fittingly titled “The Colonel” – hellbent on preserving humankind via extreme methodologies and, as a result, coming into conflict with other military heads. Like Kurtz he’s gone off the reservation and has a legion of special force-trained believers to back his madness. He also has a few apes that have become turncoats, labeled “donkeys” and regarded slightly above slaves; only prisoner apes have it worse. Continue reading

Watch Dogging the Historic Charm of Harvard Square

12 Jun

Harvard Square isn’t losing Defense Fund, it’s just gaining Neighborhood Association

Longtime thorn in side of developers morphs with new generation

Gladys “Pebble” Gifford, Caroline James, Marilee Meyer and Abra Berkowitz amid work on Harvard Square issues. (Photo: Carole Perrault)

The Harvard Square Defense Fund is back – rebranded.

The citizens group had some powerhouse years after its founding in 1979 by Gladys “Pebble” Gifford – blocking fast food franchises, sending the John F. Kennedy Presidential Library and Museum off to Boston and reshaping Harvard’s Carpenter Center for the Visual Arts – but has been dormant for years, even as people griped that the quaint square was losing its charm amid an infestation of banks and chain retailers. Believing the fund dissolved as far back as 2008, when Gifford gave testimony against the coming of The Sinclair nightclub in 2011, she did so as just a neighbor.

“The directors all got elderly or died. We thought we’d officially put it to bed,” Gifford said of her organization.

But when the city announced a $4.6 million plan to revamp the square’s 89-year-old Out of Town News kiosk and surrounding plaza, activists worried the alterations would nullify its classic charm and iconic features.

Members of the group Our Harvard Square, which includes Suzanne Blier, a Harvard architectural historian, and Susan Labandibar, president of Tech Networks of Boston, began calling for the structure – already on the list of the National Register of Historic Places – to be designated as a landmark by the Cambridge Historic Commission in hopes it would further ensure its preservation.  Continue reading

Wonder Woman

3 Jun

The beleaguered “Justice League” franchise, barely off the ground with the turgid “Batman v Superman: Dawn of Justice” beatdown last summer, gets a much-needed shot in the arm from the feminine side side of the tracks. Fans can breathe a sigh of relief with the release of “Wonder Woman,” which proves far sharper and more fun than any of its DC predecessors. The big question will be whether a woman win over the fanboys who – if we use box office as an indicator – like their super beginnings beefy, cut and baritone.

A peek into the Magic 8 Ball says yes.

The film may be long for what it is (nearly two and a half hours) but it’s also lithe and imbued with deft nuggets of humor, and it keeps moving. The opening scene, in which we meet Wonder Woman/Diana Prince (Gal Gadot) in the present, proves to be a Justice League tie-in. It’s an odd, disjointed bit, but we don’t linger before getting whisked back to a young Diana on the island of Themyscira, which for all intents and purposes is the DC reimagining of the Isle of Lesbos as it’s occupied solely by female Amazon warriors led by Queen Hippolyta (Connie Nelson) and General Antiope (Robin Wright). Besides being beguiled by Nelson and Wright, who speak with a weird accent and have fine, sculpted physiques that folks half their age would be lucky to have, we get mumbo jumbo about the rivalry between Zeus and Ares and the circumstances that produced Diana – the only child born on an island void of men. (A page from Amazon literature informs us they’re good for reproduction, but not pleasure.) Continue reading

Inman Square Redesign

4 May
Plans for Inman Square add a plaza on Hampshire Street that bends it to the west where it meets Cambridge Street.

Just in time for National Bike Month – and almost a year after bicyclist Amanda Phillips was struck and killed – the city announced its redesign plans for Inman Square.

The chosen design revealed Tuesday is the “signaled” solution, also referred to as the “Northside Bend,” which splits one complex intersection into two, putting a bumpout (and public plaza) in front of where the Punjabi Dhaba restaurant is situated. That results in bending Hampshire Street to the west as it meets Cambridge Street.

The solution was met with mixed reactions, but most everyone was happy something was being done, city councilor Marc McGovern said.

Cambridge officials have felt pressure to make a safer, more bikeable city sooner, rather than later, since the death of Phillips and a fellow bicyclist only months later. Activist groups such as Cambridge Bicycle Safety and the Boston Cyclists Union have been among the most vocal in pushing for solutions – most hoping for a peanut-shaped “roundabout” solution considered to offer more safety benefits, said Michael Davidson of Cambridge Bicycle Safety, pointing to its “15 mph rated speeds and raised crosswalks.”  Continue reading