French auteur Olivier Assayas, whose kinetic style and eclectic works have enchanted cinephiles over the past 30 years, doesn’t particularly relish the term “muse.” “It’s somewhat cheesy,” he notes during an interview to discuss his latest release “Personal Shopper.” The inspiration garnered from his lead actresses, Assayas says, germinates from a more genuine and iterative process.
Past partnerings with Maggie Cheung, his wife from 1998 to 2001, yielded the deconstructive melodrama “Irma Vep” (1996) and the sobering “Clean” (2004). With fellow countrymate and longtime friend Juliette Binoche, he churned out “Summer Hours” (2008) and the top 10 list-maker “Clouds of Sils Maria” (2014).
“Personal Shopper,” which opens in Boston this Friday, marks Assayas’ second collaboration with American actress Kristen Stewart, who starred alongside Binoche in “Sils Maria” and has since become a highly sought-after talent. Stewart made the unlikely transition from the box-office bait, teen-targeted “Twilight” saga, to an art house darling collecting raves for her recent efforts in “Café Society,” “Still Alice” and “Certain Women.” And “Personal Shopper,” which scored Assayas Best Director honors at last year’s Cannes Film Festival, will likely only raise Stewart’s stock.
“I discovered Kristen when doing ‘Clouds,’” Assayas says, “and [during filming] I learned how capable she was and I was fascinated. Once that was done, I was inspired by her and wrote the part [of Maureen Cartwright in ‘Shopper’] with her in mind.” Continue reading