Tag Archives: Ridley Scott

Blade Runner 2049

13 Oct
Ryan Gosling (right) brings a subdued performance to a dismal future filled with spectacular visuals

Warner Bros. Pictures

Ryan Gosling (right) brings a subdued performance to a dismal future filled with spectacular visuals.

At over two hours, Villeneuve paces the film effectively, smartly holding back and ever ratcheting it up — a feat the director didn’t quite master in his last sci-fi outing Arrival (2016). As you should expect, the action takes place in 2049. Los Angeles is a lot more crowded but still a dark, rain-slicked Gotham with shocks of neon blooming above the drab cityscape. Opening info tells us the Earth’s been beset by overcrowding and famine. There’s nothing green anywhere anymore, so protein farms where mealworm larvae are harvested to feed the masses Soylent Green-esque pap in ramen bowls have popped up. Not to mention there’s the great “Blackout of 2022” where scads of data files and historical records were lost. Gone the way of Lehman Brothers is the old Tyrell Corporation. The manufacturer of “replicants” (biorobotic androids for those unfamiliar with the earlier film or the Phillip K. Dick novel it was based on), are made by Wallace Industries who make the new line “skin jobs” more obedient, yet still physiologically superior to humans, and all imbedded with memories, even though they are self aware they are implants — which seems somewhat illogical and superfluous given the implant process is an arduous one. Continue reading

Advertisements

Alien: Covenant

19 May

Almost 40 Years Since ‘Alien’ Brought Sci-Fi To Pop Culture, ‘Covenant’ Goes Back To Basics

"Alien: Covenant." (Courtesy Mark Rogers/Twentieth Century Fox)

It’s hard to believe it has been nearly 40 years since that little wiggle of a vorpal worm ripped its way out of John Hurt’s abdomen in “Alien,” the sci-fi movie experience that took the fun and fantasy of “Star Wars” and flipped it on its head.

That film’s helmer Ridley Scott, a genius by some accounts, a hack by others and now almost 80 years of age, has shown great commitment to the franchise returning again for “Alien: Covenant.” The film is the sequel to “Prometheus” (2012), which is the first chapter of a prequel series to Scott’s 1979 space chiller that kept audiences up at night, fearful of mutant xenomorph with cascading sets of jaws.

“Alien: Covenant” takes place 10 years after “Prometheus” and approximately two decades before Ripley and her salvage crew discover that wrecked ship loaded with leathery undulating egg casings that we now know better than to peer down into. Bolstered by an impressively eclectic cast, “Prometheus” was a quirky reboot and something of a meta contemplation on creationism and origins that didn’t resonate with a wide fan base — not enough aliens and too many hidden agendas.

The good news with “Alien: Covenant,” especially for loyalists, is that Scott goes back to the basics. But because he has to build off the groundwork laid by his 2012 effort, there’s also plenty of ideologue about man, his creations superseding him and his viability in the universe over time. Scott and his screenwriters — John Logan and Dante Harper — do a nice job getting the plot points to line up seamlessly, though pacing and character development are sacrificed as a result.  Continue reading