Tag Archives: Woody Harrelson

Three Billboards Outside Ebbing Missouri

18 Nov


Director Martin McDonagh, a playwright best known for such dark comedies as “The Pillowman” and “The Cripple of Inishmaan,” put film audiences on pleasurable, if uneasy, heel with his cinematic crossovers “In Bruges” (2008) and “Seven Psychopaths” (2012). Humor amid violent doings – the graphicness of which you couldn’t make happen in the center of a stage – was the takeaway from those first two films; Tarantino meets the Coen brothers is in the ballpark, and what a glorious one it is. But McDonagh’s vision and style is something of its own, and it operates on its own bloody terms. “Three Billboards Outside Ebbing, Missouri” is more of the same, and a bit of a feminist anthem that arrives coincidentally, and poetically, as entertainment heavies including Harvey Weinstein and Louis C.K. are eviscerated for lewd and criminal sexual behavior.

As if a Coen influence was not enough, the film stars Frances McDormand, who ruled the roost in the brothers’ masterworks “Blood Simple” (1984) and “Fargo” (1996), for which she won an Oscar. (She’s also married to Joel Coen). Here McDormand plays Mildred Hayes, a steely eyed woman who’s responsible for the three billboards of the film’s overly long title – and something of a bother to the town. Against blood-red backdrops the billboards say “Still No Arrests?”; “How Come, Chief Willoughby?”; and “Raped While Dying.” They concern the death of Mildred’s daughter, which has gone unsolved for months. Mildred blames the town’s beloved sheriff, Willoughby (Woody Harrelson, able to keep pace admirably with McDormand). Continue reading


War for the Planet of the Apes

14 Jul

Since the CGI resurrection of the “Planet of the Apes” franchise (can we all agree to forget the ill-conceived 2001 Mark Wahlberg-Tim Burton version?), the films – “Rise” (2011) and “Dawn” (2014) – have been working their way slowly up to the events that frame the classic 1968 film penned by “Twilight Zone” host Rod Serling and starring Charleston Heston. With “War for the Planet of the Apes” we get more breadcrumbs leading from here to there.

The plot picks up two years after “Dawn” ended with Caesar (Andy Serkis, the action-capture actor who so viscerally brought Gollum to life in “The Lord of the Rings” films) and fellow simians holed up in the woods trying to find a peaceful foothold as man employs military might to hunt down and eradicate them. We learn too that the simian flu that has decimated humankind makes apes smarter while it mutes humans and dims their mental capacity. (There’s your first breadcrumb).

The script by director Matt Reeves (“Let Me In” and “Dawn of the Planet of the Apes”) and Mark Bomback, who worked with Reeves on “Dawn,” adds some smart wrinkles with the apes trying to disengage from war, setting off to find an ape Eden out of human reach, while Caesar, having incurred deep personal loss, ventures off on a revenge mission. To stir the pot we get Woody Harrelson as a Col. Kurtz type – fittingly titled “The Colonel” – hellbent on preserving humankind via extreme methodologies and, as a result, coming into conflict with other military heads. Like Kurtz he’s gone off the reservation and has a legion of special force-trained believers to back his madness. He also has a few apes that have become turncoats, labeled “donkeys” and regarded slightly above slaves; only prisoner apes have it worse. Continue reading